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4月17日,天津茱莉亞學(xué)院預(yù)科教師、小提琴家錢悅將呈現(xiàn)專場(chǎng)音樂會(huì),演繹讓-瑪麗·勒克萊爾、舒伯特、海因里希·威廉·恩斯特和理查·施特勞斯的經(jīng)典作品,從巴洛克余韻穿越至浪漫主義余暉。
本場(chǎng)音樂會(huì)為免費(fèi)預(yù)約演出,觀眾可掃描文中二維碼進(jìn)行預(yù)約。開放預(yù)約時(shí)間為:4月14日8:00(預(yù)約系統(tǒng)每日開放時(shí)間為8:00-23:00)。名額有限,約滿即止。
天津茱莉亞教師音樂會(huì)
TIANJIN JUILLIARD FACULTY RECITAL
錢悅,小提琴
Yue Qian, Violin
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演出曲目
PROGRAM
讓-瑪麗·勒克萊爾(1697-1764)
C大調(diào)小提琴奏鳴曲,作品9之8
Ⅳ. 恰空
JEAN-MARIE LECLAIR (1697-1764)
Violin Sonata in C Major, Op. 9, No. 8
Ⅳ. Tempo di Ciaccona
弗朗茲·舒伯特(1797-1828)
C大調(diào)幻想曲,為小提琴與鋼琴而作,D. 934
FRANZ SCHUBERT (1797-1828)
Fantasy in C Major for Violin and Piano, D. 934
中場(chǎng)休息
INTERMISSION
海因里希·威廉·恩斯特(1814-65)
《夏日的最后一朵玫瑰》變奏曲
HEINRICH WILHELM ERNST (1814-65)
Variations on “The Last Rose of Summer”
理查·施特勞斯(1864-1949)
降E大調(diào)小提琴奏鳴曲,作品18
RICHARD STRAUSS (1864-1949)
Violin Sonata in E-flat Major, Op. 18
史佳怡*,鋼琴
Jiayi Shi*, Piano
* 特邀藝術(shù)家|Guest Artist
演出曲目以現(xiàn)場(chǎng)演奏為準(zhǔn)
The program is subject to change
錢悅
YUE QIAN
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錢悅,美國(guó)南加州大學(xué)博士、茱莉亞學(xué)院碩士,美國(guó)費(fèi)舍爾奧夫國(guó)家重奏比賽、ASTA獨(dú)奏比賽獲獎(jiǎng)?wù)摺eX悅于2020年加入天津茱莉亞學(xué)院,目前擔(dān)任大學(xué)預(yù)科部小提琴教師。
近年來(lái),錢悅活躍于世界多地的音樂會(huì)舞臺(tái)上。她曾在紐約卡耐基音樂廳、林肯中心愛麗絲·塔利音樂廳、北京中山公園音樂堂、上海音樂廳、深圳音樂廳、廈門宏泰音樂廳等舉辦獨(dú)奏及重奏音樂會(huì)。她也曾參加中國(guó)國(guó)家大劇院管弦樂團(tuán)、洛杉磯室內(nèi)樂團(tuán),以及洛杉磯交響樂團(tuán)的演出。
錢悅曾受邀參加美國(guó)新墨西哥陶斯室內(nèi)樂音樂節(jié)、芝加哥拉維尼耶音樂節(jié)、加拿大晨興音樂橋、瑞士韋爾比耶音樂節(jié)、英國(guó)布魯士灣國(guó)際音樂家研討會(huì)、法國(guó)楓丹白露音樂節(jié)、北京現(xiàn)代音樂節(jié)等著名音樂節(jié),受到西蒙·拉特、瓦萊里·捷杰耶夫、克里斯朵夫·艾森巴赫等知名指揮家的指導(dǎo)并合作演出。
演奏之外,錢悅也有著豐富的教學(xué)經(jīng)驗(yàn)。她曾在加州大學(xué)長(zhǎng)灘分校弦樂系主任的邀請(qǐng)下舉辦獨(dú)奏和重奏大師班,并定期在圣安東尼奧室內(nèi)樂學(xué)院授課。她還曾受著名小提琴家宓多里以及當(dāng)?shù)匾魳芳覅f(xié)會(huì)的邀請(qǐng),在美國(guó)洛杉磯、墨西哥、日本、斯里蘭卡等地進(jìn)行公益演出和教學(xué)交流活動(dòng)。錢悅現(xiàn)任教于美國(guó)南加州大學(xué)桑頓音樂學(xué)院輔修科以及洛杉磯科本音樂學(xué)院社區(qū)部,還曾于2020-2021學(xué)年任教于天津茱莉亞學(xué)院預(yù)科部。
錢悅先后畢業(yè)于上海音樂學(xué)院附中、美國(guó)因特勞肯藝術(shù)高中,師從周彬佑教授以及南宮尤里。后被當(dāng)今最有影響力之一的小提琴演奏家宓多里錄取于南加州大學(xué)桑頓音樂學(xué)院。又于茱莉亞學(xué)院取得碩士學(xué)位,師從小提琴學(xué)科系主任羅納德·科佩斯,以及美國(guó)元老級(jí)教育家西爾維婭·羅森博格。近期于南加州大學(xué)博士畢業(yè),師從洛杉磯愛樂樂團(tuán)副首席王冰。
Yue Qian has performed as both a soloist and chamber musician at prestigious festivals around the world, including the Verbier Festival in Switzerland, International Musician's Seminar Prussia Cove in the UK, Morningside Music Bridge in Canada, Kneisel Hall Chamber Music Festival, Music@Menlo, Taos School of Music, and the Ravinia Festival Steans Music Institute in the US. She has worked with renowned artists such as the Brentano Quartet, the Juilliard String Quartet, the Shanghai Quartet, Thomas Adès, John Adams, Christoph Eschenbach, Sir Simon Rattle, Nobuko Imai, and Robert McDonald. Her orchestral experiences include performing with s the NCPA Orchestra, Los Angeles Chamber Orchestra, and the Los Angeles Philharmonic.
Beyond performing, Qian also finds much joy and fulfillment in teaching and community engagement, advocating for inclusive musical experiences. With Midori, she oversaw numerous outreach events in the historically underrepresented communities in Los Angeles, Mexico, and Sri Lanka. Recently, Qian served as artist faculty at the Classical Music Institute 210 Festival in San Antonio, Texas, and held master classes at Cal State University Long Beach. And she has instructed at the USC Music Minor program, and coached chamber music at the Colburn School CSPA.
Qian’s musical journey began at the age of five. Her early education includes studying at the Shanghai Conservatory Middle School with Binyou Zhou, and later, Interlochen Arts Academy with Yuri Namkung. She pursued her undergraduate and doctorate degrees at USC, with graduate studies at The Juilliard School. Her mentors include Midori Goto, Ronald Copes, Sylvia Rosenberg, Bing Wang.
Yue Qian joined the Pre-College faculty team of The Tianjin Juilliard School in 2020.
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